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The production number is magnificent while its mood is melancholy. It leaves one with so many mixed emotions and extreme on either side.
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This scene is probably the best scene of any movie in 2016. The reference to "Les Parapluies de Cherbourg" comes through strongly in the movie's final number. In addition, the set designs and photography add further to the film's greatness. The movie also gives nods to great classic musicals like "Singin' in the Rain", "Les Demoiselles de Rochefort", and "Les Parapluies de Cherbourg" all the while being unique and standing out on its own. There is something uniquely enjoyable about Hollywood portraying itself.
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She's given a full range - and not just as a triple threat - and she fully lives up to the expectations especially during the song "Audition" near the end. She is even spot-on as an actress giving mediocre auditions.
Gosling takes a while to break into the role particularly where the singing is concerned but it's not long before he fits into the part quite nicely. They include the hell of auditioning to people who are too busy plus the desire to maintain the purity of a great music genre (jazz) while too often being told it is "a dying art". While navigating their careers in Los Angeles, a pianist and an actress fall in love while attempting to reconcile their aspirations for the future. The stories of career struggle within the broader narrative are very believable. With Ryan Gosling, Emma Stone, Amiee Conn, Terry Walters. The numbers that follow are more low-key relating only to the main characters but they are still well performed and executed. At long last: a movie released during the 2016 awards season that actually lives up to the hype! Early in the film, there are two superb group musical numbers. The main characters in this Los Angeles romantic musical are Mia (Emma Stone), a coffee-shop employee with dreams of being an actress and Sebastian (Ryan Gosling), a jazz pianist who aspires to open his own club that plays jazz like it was played in the good old days.
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